martes, 12 de abril de 2011

Movie Quotes of All-Time

Screenwriters have provided generations of movie-goers with memorable movie quotes and lines of dialogue, from film speeches, one-liners, quips, punchlines, statements, insults, and even mis-quotes. Their words are remembered through popular use, critical acclaim, shock value and quotability, and for many other reasons.

Some lines become more visible or recognizable than was the original intention. Scores of memorable lines have captured our attention by the way the line was delivered, by the tone in the actor's voice, the electricity on the screen, or many have become catch phrases. Many memorable movie lines are not from the greatest films, but they have remained as part of the film's legacy (and etched a place in movie history) anyway!

"My Mama always said, 'Life was like a box of chocolates; you never know what you're gonna get.'"
(Forrest Gump (1994))

"What we do in life echoes in eternity."
Gladiator (2000)

"Face it, girls, I'm older and I have more insurance."
Fried Green Tomatoes (1991)

"I'm not bad. I'm just drawn that way."
Who framed Roger Rabbit? (1988)

"I'm gonna make him an offer he can't refuse."
The Godfather (1972)

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"Someone has to die in order that the rest of us should value life more."
The Hours (2003)

miércoles, 6 de abril de 2011


Clint Eastwood tribute
2003-2008 movies
1.- Mystic River
2.- Million Dollar Baby
3.- Flags of our Fathers
4.- Letters from Iwo Jima
5.- The Changeling
6.- Gran Torino

Clint Eastwood is the consummate filmmaker. His career spans four decades and has touched generations of moviegoers. He is one of the most prolific, versatile artists in the history of the medium, involving himself first as an actor, then as a director and producer. Eastwood's remarkable achievements have been fueled by his enormous box-office appeal and likewise reflected in the recognition he has received. His respect within the film industry is matched only by his appreciation from the public at large. His ongoing body of work is without peer. Clint Eastwood is a film icon.

Consider the following data, applied as it is to a man whose debut in film was as a contract actor for Universal Pictures in 1955. From this inauspicious beginning, Clint Eastwood's credits have carried him beyond the new millennium. He has starred in 46 films (appearing in 57), directed 25, and produced 20. Eastwood is unique in that he will often combine responsibilities, simultaneously producing, directing and starring. This he has done 13 times, while he has directed and starred in an additional nine films and served as producer, in a variety of directing and acting combinations, on 18 films.

In March of 2003, he accepted a Screen Actors Guild Life Achievement Award, and in August of the same year the Henry Mancini Institute presented Eastwood with the Hank Award, which recognizes distinguished service to American music. In January of 2000, Eastwood was presented with a Lifetime Career Achievement Award from New York's National Board of Review. That May he received an Honorary Doctorate in Fine Arts from Wesleyan University, and in December accepted a Kennedy Center Honors Award. He was also nominated for Favorite All-Time Movie Star in 1999 from the People's Choice Awards (which he won for the Favorite Motion Picture Actor in 1981, 1984, 1985, 1987 and 1998).

In addition, Eastwood received a Cesar Honorary Award (Honneur) from the French Film Society for Career Achievement in 1998 and a Golden Laurel Lifetime Achievement Award from the Producers Guild of America that same year. He was also the recipient of the Life Achievement Award from the American Film Institute and the Film Society at Lincoln Center in 1996, and he was given the prestigious Irving G. Thalberg Memorial Award in 1995 from the Academy of Motion Pictures Arts and Sciences.

In 2004, Eastwood's critically acclaimed drama Million Dollar Baby earned seven Academy Award nominations (Best Picture, Best Director, Best Actor, Best Actress, Best Supporting Actor, Best Screenplay and Best Editor) and won four Oscars. Along with Eastwood's Oscar wins for Best Director and Best Motion Picture, Hilary Swank's performance earned her a Best Actress Award and Morgan Freeman won the Oscar for Best Supporting Actor. Million Dollar Baby also won the Director's Guild Award, Golden Globe Awards for Best Director and Best Actress and the New York Film Critics Award for Best Director. The National Board of Review presented Eastwood with an award for Special Filmmaking Achievement for Producing, Directing, Acting and Scoring.

In 2003, Mystic River debuted at the Cannes Film Festival, earning Eastwood a Golden Palm nomination and the Golden Coach Award. Mystic River went on to win six Academy Award nominations (Best Picture, Best Director, Best Actor, Best Supporting Actor, Best Supporting Actress and Best Screenplay) and two Oscars (Best Actor and Best Supporting Actor). The National Board of Review named Mystic River the Best Film of 2003.

Eastwood's 1993 foreboding, revisionist western, Unforgiven, won nine Academy Award nominations (Best Picture, Best Director, Best Actor, Best Supporting Actor, Best Screenplay, Best Cinematography, Best Production Design, Best Editor and Best Sound) and four Oscars (Best Picture, Best Director, Best Supporting Actor and Best Editor). That same year, Unforgiven also won the Director's Guild Award, a Golden Globe for Best Director, the National Society of Film Critics Award for Best Picture, Best Director, Best Supporting Actor and Best Screenplay, and the New York Film Critics Award for Best Supporting Actor. The film also received nominations for Best Direction and Best Film from the British Academy of Film and Television Arts and the ShoWest Award for Director of the Year from the National Association of Theater Owners (which also gave Eastwood the Male Star of the Decade Award in 1982).

No less impressive are Eastwood's Cesar nomination for Best Foreign Film (Meilleur film etranger) for The Bridges of Madison Country in 1996, a Douglas Sirk award for Career Achievement, Awards from both the American Cinema Editors and the Publicists Guild in 1992, the California Governor's Award for the Arts in 1992, and the Man of the Year Award from Harvard's Hasty Pudding Theatrical Society in 1991.

No stranger to Cannes, Eastwood served as president of the jury in 1994 and has been given Best Picture Golden Palm nominations for White Hunter, Black Heart in 1990, Bird in 1988 (which won for Best Actor and Best Sound), and Pale Rider in 1985. He has also won a Best Director Golden Globe for Bird in 1989, a Hollywood Foreign Press Cecil B. DeMille Career Achievement award in 1988, and a Golden Globe for Male World Film Favorite in 1971.

A long standing relationship has also existed between Eastwood and the Museum of Modern Art in New York, whose film archivists presented the first Honorary Retrospective of his work in 1980 and then expanded the program in 1993 for a second tribute. This was followed by similar events on behalf of the French Cinematheque in 1985, the Walker Art Center of Minneapolis in 1990, and the British Film Institute, which made Eastwood a fellow in 1992.

All of the recognition is grounded in the fact that Clint Eastwood is a film star of the first magnitude. When considering his career, it is impossible to ignore his diversity and the ease with which he is able to move from actor to director to producer. Eastwood is alone in this regard, if not for the process, then simply for his incredible productivity and box-office results.

Throughout his career, Eastwood has played the triple role of actor, director and producer in the films Million Dollar Baby (2004), Blood Work (2002), Space Cowboys (2000), True Crime (1998), Absolute Power (1996), The Bridges of Madison County (1995), Unforgiven (1992), White Hunter, Black Heart (1989), Heartbreak Ridge (1987), Pale Rider (1985), Sudden Impact (1983), Honkytonk Man (1982), and Firefox (1982).

The films in which Eastwood has starred while directing include A Perfect World (1983), The Rookie (1990), Bronco Billy (1980), The Gauntlet (1977), The Outlaw Josey Wales (1976), The Eiger Sanction (1975), High Plains Drifter (1973), and Play Misty For Me (1971).

There are twenty-four films in which Eastwood starred as an actor and did not direct. These films include In the Line of Fire (1993), Pink Cadillac (1989), The Dead Pool (1988), City Heat (1984), Tightrope (1984), Any Which Way You Can (1980), Escape from Alcatraz (1979), Every Which Way But Loose (1978), The Enforcer (1976), Thunderbolt and Lightfoot (1974), Magnum Force (1973), Joe Kidd (1972), Dirty Harry (1971), The Beguiled (1971), Two Mules for Sister Sarah (1970), Kelly's Heroes (1970), Paint Your Wagon (1969), Where Eagles Dare (1969), Coogan's Bluff (1968), Hang 'Em High (1968), The Witches (1967), The Good, the Bad and the Ugly (1966), For a Few Dollars More (1965) and A Fistful of Dollars (1964).

At the outset of his career, Eastwood appeared in eleven films as a contract player for Universal Pictures, including Lafayette Escadrille (1957), Ambush at Cimarron Pass (1957), Escapade in Japan (1957), Star in the Dust (1956), The First Traveling Saleslady (1956), Away All Boats (1956), Never Say Goodbye (1956), Tarantula (1955), Lady Godiva (1955), Francis in the Navy (1955) and Revenge of the Creature (1955).

Eastwood got his first break on the TV series Rawhide (1958), in which he played cowpuncher Rowdy Yates for six years. During this time he made four television guest appearances on TV shows such as West Point (1957), Highway Patrol (1958), Maverick (1959) and Mister Ed (1962). Interestingly, Eastwood did not return to television until 1985, when he directed a segment for Steven Spielberg's Amazing Stories series, titled Vanessa in the Garden.

As a director and producer, without participation as an actor, Eastwood made Mystic River (2003), Midnight in the Garden of Good and Evil (1996) and Bird (1988). Working only as a director, he made Breezy (1973) and then, working as a producer while starring, he made Tightrope (1984). Eastwood produced three films in which he neither acted nor directed: The Last of the Blue Devils (1987), Thelonious Monk: Straight, No Chaser (1989) and The Stars Fell on Henrietta (1995).

Eastwood's association with jazz is well documented, as is his assertion that had his acting, directing or producing careers not been successful, he would have chosen to be a musician. As a young man growing up in Oakland, California, Eastwood performed in small clubs as a pianist. Some of his most inspiring moments of that era came watching jazz greats like Charlie Parker perform live. Thus Bird included original remixed Parker cuts, orchestrated by composer Lennie Niehaus, as well as original copies of Eastwood's own treasured issues of Downbeat magazine.

Play Misty for Me marked Eastwood's directing debut and was characterized by the romantic theme of First Time Ever I Saw Your Face, selected by Eastwood and sung by the then-unknown Roberta Flack. Likewise, Misty, the film's theme song, was arranged by jazz legend Erroll Garner.

Notably, all of the five classic Dirty Harry films featured big-city jazz soundtracks. Lalo Schifrin composed Dirty Harry, Magnum Force, Sudden Impact and The Gauntlet, as well as Escape from Alcatraz.

Successful soundtrack albums have been a consistent Eastwood signature to his films, be they jazz-oriented (Bird, The Bridges of Madison County, Midnight in the Garden of Good and Evil, and the multi-film reference for Clint Eastwood Live At Carnegie Hall) or country (Every Which Way But Loose, Bronco Billy, Any Which Way You Can, and Honkytonk Man). Moreover, in two particular instances, again working with composer Lennie Niehaus, Eastwood wrote the key melody for both Unforgiven (Claudia's Theme) and The Bridges of Madison County (Doe Eyes). Eastwood also composed the score for Million Dollar Baby and Mystic River, which was recorded with Niehaus conducting the Boston Symphony Orchestra and the Tanglewood Festival Chorus.

Eastwood's documentary Piano Blues, produced by Bruce Ricker, concluded Martin Scorsese's 2003 series The Blues for PBS. In the film, Eastwood explores his life-long passion for Piano Blues, using rare footage of Art Tatum and Professor Longhair with new interviews and performances by Ray Charles, Pinetop Perkins, Dave Brubeck, Marcia Ball, Jay McShann, Dr. John and Pete Jolly.

An avid golfer, Eastwood lives in Carmel, California, where he served as Mayor from 1986 through 1988, and where he owns the picturesque Mission Ranch Inn and Tehama Golf Club. He is also a partner in the famed Pebble Beach Golf Course and was appointed to the California State Park and Recreation Commission, where he currently serves as Vice Chair, in November 2001. Eastwood serves as a Commissioner on the California Film Commission, appointed by Gov. Arnold Schwarzenegger, and has been named, for the second time, to serve as the national spokesperson for Take Pride in America.

Born Clinton Eastwood Jr. on May 31, 1930, in San Francisco, California, he was raised in Oakland, California, after moving from town to town as his father sought work during the Great Depression. This experience left an indelible mark on him, as he freely admits, helping to formulate his value system and his work ethic.

Clint Eastwood is, perhaps, the most conscientious filmmaker who ever got behind a camera. He has no patience for waste, be it time or money. He makes movies, loves the process, and start to finish, each day and each dollar belongs to him. When not in production, he lives quietly with his wife Dina Ruiz Eastwood (married March 31, 1996) and their daughter Morgan (born December 12, 1996) in Carmel.

domingo, 27 de marzo de 2011

The Car

0.- rear window/backlight (AE)
1.- number plate / license plate (AE)
2.- boot /trunk (AE)
3.- bumper
4.- stop light /brake light (AE)
5.- reversing /back-up light (AE)
6.- front wheel; front tyre /front tire (AE)
7.- (out) side mirror, side-view mirror, outside rear-view mirror
8.- door
9.- door handle
10.- side window
11.- exhaust (pipe)

12.- fog-light
13.- headlight
14.- windscreen /windshield (AE)
15.- rear-view mirror
16.- bonnet (BE) /hood (AE)
17.- indicator /turn signal (AE)

Photos with permission of Audi AG

domingo, 20 de marzo de 2011

Pierre Loti

The French novelist Pierre Loti (1850-1923) is noted for his picturesque romances, abounding in descriptions of the exotic spots he visited in a lifetime of travel.

Pierre Loti was born Julien Viaud at Rochefort on Jan. 14, 1850, to Protestant parents. Deeply religious as a child, he lost his faith during adolescence, and in his later writings he frequently expressed a longing to regain it. In 1867, after graduating from navy school, he went to sea as a midshipman, was promoted to lieutenant in 1881, and received his first command in 1898. Loti's naval career necessarily entailed long absences from France. He spent much time in Levantine ports and in the Far East. In the course of his travels Loti had various love affairs that, often with slight alterations, provided the plots of his exotic novels. His first book, published anonymously in 1879 under the title Aziyadé, told of his amours with a Circassian slave girl he had met during a stay in Salonika and Constantinople 3 years previously. Le Mariage de Loti (1880) related the less poignant, more sensual relations he had enjoyed with several native girls at Tahiti, where he had spent some time in 1872. It was followed by Le Roman d'un Spahi (1881), the action of which occurred in Senegal, and by Madame Chrysanthème (1887), in which Loti evoked the temporary marriage he had contracted with a Japanese girl at Nagasaki.

Loti's fin-de-siècle readers were captivated by the blend of gentlemanly eroticism and fashionable melancholia that his books exuded. The novels for which Loti is chiefly remembered, however, were set in France. Mon Frère Yves (1883) told the story of Loti's Breton friend Pierre Le Cor and the single vice - drinking - of which Loti succeeded in curing him. Its sequel proved to be Loti's masterpiece: Pêcheur d'Islande (1886) dealt with the heroic lives of the Bretons who sailed every year to dangerous fishing grounds in Icelandic waters, and with the lives of their wives and sweethearts, who often never saw them again. Ramuntcho (1897) has also retained its charm. Set in the Basque country, this story centers on the conflict between human love and the claims of religion.

In addition to his novels, Loti wrote a great number of travel books. The best include Au Maroc (1890) - he visited Fez before Morocco became a French protectorate - and Vers Ispahan (1904), which narrated a journey he undertook through Persia in 1900. These books present an interesting picture of certain Islamic countries immediately before they became subject to Western commercial exploitation and were overrun by tourists - developments that Loti deplored.

The French Academy elected Loti a member in 1891. He died, after a long illness, at Hendaye on the Basque coast on June 10, 1923.

domingo, 6 de marzo de 2011


A tribute to Hans Zimmer and his great music
Songs (in chronological order)

1.- Nyah from Mission Impossible II
2.- Run Free from Spirit: Stallion Of The Cimerron
3.- Wheel of Fortune from Pirates of the Caribbean: Dead Man's Chest
4.- Red Warrior from The Last Samurai
5.- The Journey - Kopano III from Tears of the Sun
6.- Now We Are Free (with Lisa Gerrard) from The Gladiator
7.- Score from Crimson Tide
8.- You're So Cool from True Romance
9.- Score from The Rock
10.- Score from Rain Man
11.- Chevaliers de Sangreal from The Da Vinci Code
12.- God Yu Tekkem Laef Blong Mi from The Thin Red Line

Composer Hans Zimmer was born September 12, 1957 in Frankfurt, Germany; after relocating to London as a teen, he later wrote advertising jingles for Air-Edel Associates, and in 1980 collaborated with the Buggles on their LP The Age of Plastic and its accompanying hit "Video Killed the Radio Star." A stint with Ultravox followed before Zimmer next surfaced with the Italian avant-garde group Krisma; he then formed a partnership with film composer Stanley Myers, and together they founded the London-based Lillie Yard recording studio. Zimmer and Myers' movie work of the period, which included material for pictures including Moonlighting, Success Is the Best Revenge, Insignificance, and the acclaimed My Beautiful Launderette, made significant strides in fusing the traditional orchestral aesthetic of film composition with state-of-the-art electronics, and proved highly influential on countless soundtracks to follow.

In 1986 Zimmer joined David Byrne and Ryuichi Sakamoto on their Oscar-winning score to The Last Emperor; his work on the apartheid drama A World Apart was his first major solo credit, and led to his Academy Award-nominated score for 1988's Best Picture-winning smash Rain Man. The following year Zimmer again composed the soundtrack for a Best Picture winner, this time Bruce Beresford's Driving Miss Daisy; a remarkably prolific writer, by the time the '90s dawned his music was a Hollywood staple, with a list of hits including Black Rain, Backdraft, Thelma & Louise, A League of Their Own, and Days of Thunder. Zimmer scored his biggest commercial hit in 1994 with his work on Disney's The Lion King; the film's soundtrack garnered countless awards, including an Oscar, a Golden Globe, and two Grammys. Later adapted for the Broadway stage, The Lion King took home the 1998 Tony for Best Musical as well.

In 1995, Zimmer also earned a Grammy for his work on Crimson Tide, which was honored as Best Original Score Written for a Motion Picture. Another Academy Award nomination followed for 1996's The Preacher's Wife; that same year, he earned BMI's prestigious Richard Kirk Award for lifetime achievement. 1997 saw Zimmer earn another Oscar nom for his work on the James L. Brooks comedy As Good as It Gets, repeating the feat for the third consecutive year in 1998 with his score for the Terence Malick masterpiece The Thin Red Line. His contributions to The Prince of Egypt also earned a Golden Globe bid earlier that same year.

The 2000s marked an auspicious time in the composer's career, as he continued scoring the biggest A-list films of the season, averaging two or three blockbusters a year, including Hannibal, Gladiator, The Last Samurai, Batman Begins, and The Da Vinci Code. In 2007, Silva Screen Records released Film Music of Hans Zimmer, a double-disc set highlighting his achievements as a movie-music maker. Later in 2007, he reworked Alf Clausen's zany Simpsons theme into a traditional symphonic film score on The Simpsons Movie.

(Source:Jason Ankeny, Rovi)

miércoles, 16 de febrero de 2011


BOSTON is the most English of American cities. It looks a little like England with its predominantly brick architecture, but mostly it is just a feeling you get. Flying into Boston, for instance, it seems as if the plane is going to land in Boston Harbor. Believe it or not, one of Boston´s nicknames is "Hub of the Universe." Another is "Beantown,"so it kind of evens out. Due to its size, Boston is a very accessible city, but it may be that its reputation as a walking city relies on the creation of one of America's first historic walking tours, The Freedom Trail. The Freedom Trail Foundation continues to work to preserve this perfect introduction to Colonial Revolutionary Boston. The Trail takes the visitor to 16 historical sites in the course of two or three hours and covers two and a half centuries of America's most significant past. A red brick or painted line connects the sites on the Trail and serves as a guide. Since the past and the present live alongside the Trail, its visitors have the opportunity to see the City as it truly is. Many visitors prefer to linger and study the many exhibits, thus a full day or more can be devoted to browsing along the Trail. One can take a self-guided tour or one of the many tours available through the Boston Common Visitors Center at 148 Tremont Street or the Bostix Booth located at Faneuil Hall. If you prefer to ride, you can pay for one of the trolley tours, which are unofficial guided tours, but do take the rider to many of the sites along the Trail and allow one to disembark at selected stops.